What is an image film?
A film that develops a defined perception of a company or brand through story, people, environment and visual direction.
SHAR / BRAND MEDIA
We produce brand films and image video as a controlled communication system: audience, story, people, visual direction, live action or digital scenes, post-production and versions for the selected channels.
PUBLIC BRAND WORKM‑TECHNO ↗01 / MATERIAL
The public M‑Techno film brings people, production and a graphic layer into one piece. It demonstrates the material without transferring its brief or outcomes to a new project.
Open the M‑Techno case
BEFORE THE BRIEF / QUICK ANSWERS
Define the audience, intended perception and role of the asset after release before selecting the production method.
A film that develops a defined perception of a company or brand through story, people, environment and visual direction.
A commercial usually carries a narrower campaign action; brand media develops context, recognition and trust over a longer horizon.
A short film, long-form story or series follows the audience, channels, available evidence and the organisation’s ability to sustain publishing.
We work directly with a brand or as an agency production partner, with responsibilities agreed before production.
02 / FORMAT
Image films, corporate stories, commercials and product films can use the same disciplines, but they should not share one vague brief.
| Format | Primary job | Decide before production |
|---|---|---|
| Image film | Shape a defined perception of the company, product or direction | Audience, associations, channels and duration |
| Brand film | Develop brand position through a longer story | Narrative, people, confirmed facts and archive |
| Corporate story | Explain the company, people, processes or capability | Fact approval, access, interviews and confidential areas |
| Commercial | Support a campaign, launch or specific offer | Message, media channels, rights and version map |
The full production system is described on the video production page.
03 / CONTROL
The message and visual system must hold through editing, channel adaptations and asset handoff.
Define the intended perception and which company or product statements can be used.
Identify performers, processes, locations, archive and available evidence.
Approve key frames, camera, light, colour, graphics and stylisation.
Fix the master, cutdowns, aspect ratios, titles and channels before production.
04 / CYCLE
Facts, story and visual direction have separate review points before the final edit.
Brand context, channels, duration, deadline, source assets and acceptance criteria.
Narrative, people, messages, visual references and the format map.
Script, interviews, casting, locations, graphics, CGI or AI tests and shoot plan.
Live action or scene creation, edit, composite, graphics, colour, music and sound.
Master film, agreed adaptations, subtitles, titles and technical exports.
05 / SCOPE
A useful estimate explains what is created, who confirms the material and which files are included.
The final estimate follows development, shoot days, people, locations, CGI or AI, archive, music, post-production and versions.
See the confirmed format-level pricing guides.
Channels, territories, usage period, credits and additional assets are defined in the contract.
The client confirms its right to use supplied brand materials.
The package can include a master film, cutdowns, vertical and horizontal versions, titles and subtitles.
Source and project files are included only when specified in the estimate.
06 / PUBLIC WORK
The labels describe only the public material — without unsupported campaign outcomes, budgets or production schedules.
View all cases07 / TEAM
SHAR can write and produce the complete brand film, or take a named block such as live action, CGI, AI scenes or post-production inside an agency-led project.
Roles, end-client contact, credits, approvals, publication and handoff are agreed before production.
Discuss the agency model08 / QUESTIONS
Concise answers on format, budget, technology, rights, versions and the working model.
It is the production of a brand film, image video or related content built around a defined audience, message and visual direction rather than a list of company claims.
An image film develops perception, context and trust, while a commercial usually carries a narrower campaign action. The formats can share production methods but not the same communication job.
Yes. The scope can define one master film, episodic brand media or a set of shorter stories, provided the channels and approval model are agreed before production.
Live action protects human and physical credibility, CGI protects exact digital objects, and directed AI supports controlled stylisation. The route follows the script and required accuracy.
The published starting guide is RUB 1,200,000. The final estimate follows concept work, shoot days, cast, locations, CGI or AI, post-production, rights, schedule and delivery versions.
Performer, location, music, archive, stock and additional asset rights are defined for the selected channels, territories and usage period in the agreed scope.
The package can include a master film, shorter edits, horizontal and vertical formats, subtitles, titles and technical exports. Source files are included only when specified.
Yes. SHAR can work directly with a brand or as a production partner under a white-label or NDA arrangement. Roles, client contact, credits and handoff are agreed in advance.
09 / RESOURCES
10 / START
Audience, channels, required perception, deadline and available brand material are enough to begin.
Author and creator: SHAR Production. Published: . Modified: .