What is hybrid production?
One managed cycle in which live action, CGI, directed AI, motion and post-production share a single visual direction.
SHAR / LIVE ACTION × CGI × AI
The shot list assigns live action to people and physical proof, CGI to exact objects, directed AI to controlled environments and motion to interfaces or data.
LIVE ACTION / B2BM‑TECHNO ↗01 / MATERIAL
The M‑Techno case documents filming in a working factory, macro and medium shots of machining, and an edit prepared for B2B use. AI and CGI are described here as separate methods and are not attributed to this film.
Open the M‑Techno case
BEFORE PRODUCTION / QUICK ANSWERS
The mix follows the requirements for credibility, product accuracy, visual freedom and revisions.
One managed cycle in which live action, CGI, directed AI, motion and post-production share a single visual direction.
When credible people or products, exact digital objects and visually flexible environments must coexist in one film.
Shoot days, CGI complexity, AI iterations and compositing drive the estimate. The shot plan assigns each method only where its control is required.
Previs, key frames, on-set data, material references, continuity checks and defined composite and colour gates.
02 / METHOD MAP
We first define what must remain physically credible or technically exact. The scene plan then assigns production ownership and handoff points.
| Method | Useful when | What to verify |
|---|---|---|
| Live action | People, physical products, locations and documentary credibility carry the message | Casting, light, optics, camera movement, rights and post data |
| CGI | Geometry, materials, transformation and repeatable object behaviour must be exact | Models, shaders, scale, animation, rendering and product tolerances |
| Directed AI | Stylised environments and generative scenes fit the visual concept | Key frames, continuity, artifacts, rights and brand safety |
| Motion / archive | Interfaces, data, typography or existing material need to carry information | Hierarchy, legibility, rhythm, colour and sound |
The hybrid production guide explains how the handoff works before volume production begins.
03 / INTEGRATION
Shared references, captured data, continuity checks and review gates keep the technical mix coherent.
Composition, camera, light, object scale, transitions and stylisation are approved before production.
Lens, movement, lighting references, clean plates, colour references and tracking material are captured.
Product, performer, texture, light direction and movement are checked across physical and digital scenes.
Edges, artifacts, depth, grain, sharpness and colour are reviewed as one finished visual system.
04 / CYCLE
The exact cycle follows the script. Responsibilities, approvals and asset handoffs are listed in the estimate and production calendar.
Audience, message, duration, placements, deadline, source assets and acceptance criteria.
Define what is filmed, modelled, generated, animated and assembled in post.
Key frames, storyboard, tests, models, shoot plan and technical requirements.
Live action, CGI, directed generation, editing, compositing, graphics, colour and sound.
Detail checks, agreed revisions, master film and versions for the selected channels.
05 / SCOPE
The estimate lists scenes, methods, approvals, duration and delivery files.
Shoot days, CGI, AI iterations, compositing, sound, version count and schedule shape the final estimate. See the confirmed format-level pricing guides.
Usage for performers, music, models, tools, source assets and additional material is defined for the selected channels and territories.
The package can include cutdowns, horizontal and vertical formats, titles and technical exports. Source files are included only when specified.
06 / PUBLIC WORK
The portfolio shows work from each discipline. A case is described as hybrid only when its production mix is publicly confirmed.
View all cases07 / TEAM
SHAR can lead the complete film or own a defined production block. English-language materials, international contracts and payment arrangements are discussed for the specific project.
Roles, end-client contact, credits, approvals, publication and handoff are agreed before production starts.
Agency production model08 / QUESTIONS
Concise answers on method, cost, schedule, versions, rights and the working model.
It is one managed production in which live action, CGI, directed AI, motion design and post-production are assigned shot by shot. A project uses only the methods required by the brief.
The route fits projects that need credible people or products, precise digital objects and visually flexible scenes in the same film. The combination is chosen after the script, source assets and channels are reviewed.
Not automatically. Hybrid production can avoid using an expensive method where it adds no value, but the estimate still depends on shoot days, CGI complexity, AI iterations, compositing, duration and versions.
Yes. The shoot method, lighting references, appearance controls, compositing requirements and usage rights must be planned before scene production.
Yes. CGI can protect geometry and materials while directed AI supplies a stylised environment. The integration method depends on the required product accuracy.
The published starting guide is RUB 1,800,000. The final estimate follows the script, shoot plan, CGI and AI work, compositing, sound, versions, schedule, rights and licences.
Timing is estimated after the brief. Preparation, filming, source quality, scene count, CGI, AI iterations, approvals and the delivery package shape the calendar.
The scope can include a master film, shorter edits, horizontal and vertical formats, titles, graphics and technical files for the agreed channels.
Yes. SHAR can deliver the complete film or a defined hybrid block under a white-label or NDA arrangement. Roles, credits, client communication and publication are agreed in advance.
Send the task, audience, channels, desired duration, deadline, available brand materials and visual references. That is enough to compare methods and outline the first scope.
09 / RESOURCES
10 / START
Product, audience, channels, desired duration, deadline, source assets and visual references are enough to begin.
Author and creator: SHAR Production. Published: . Modified: .